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A Christmas Story by David Madison, PhD Ask Mary Margaret Cannon about obstacles—she has quite a story to tell. More than most of us, she has known the trauma of opportunities “falling away through no fault of your own.” Indeed, a series of dramatic setbacks resulted in her being homeless for twenty-five months. Today Mary Margaret considers it part of her mission to share her story and celebrate her good fortune as she surveys her life today. Born and raised in Washington, DC, after college she jumped into government service, first at the Department of Energy’s Congressional Affairs Office, and then later at the Congressional Liaison Office of the White House during the Carter Administration. When Jimmy Carter lost his re-election bid in 1980, Mary Margaret worked in a variety of capacities for both the Democratic National Committee and also in assorted state and municipal races. In 1986, she accepted a position in the administration of New York’s governor Cuomo. But on April Fools Day—just 48 hours before her first day on the job—the position was eliminated when a line in the budget was deleted.
Having worked in retail on and off during high school and college, she was aware of the difficulties of retail. She worried that her lack of formal training as a buyer, merchandiser or marketer would seriously hinder her efforts. But Irish persistence and an unwillingness to back down in the face of challenge proved invincible. Cannon sought out innovative and unique handmade American and European Christmas ornaments to represent. By advertising these products in such publications as Smithsonian, Town & Country, Connoisseur and New York magazines, she developed a following and went on to design and produce a color catalog. And she designed a line of limited edition ornaments painted in the manner of Russian lacquer boxes, entitled the “Noel Angels.” Mary Margaret was thoroughly hooked on being an entrepreneur, and she had become something of an expert on handcrafted Christmas decorations. All of this came to an abrupt halt, however, during a traumatic divorce—an event that spawned a much deeper meaning to her faith and turned her new journey into a wild roller coaster ride. Sacred Season® was a hit, and the entire
Mary Margaret faced challenges on two fronts. First, she had to find artists willing and able to convert her sketches—her vision and message—onto the ornaments. She had never considered herself artistic (she had never pursued formal training in painting because she believed her efforts would be inadequate). Certain color combinations presented a serious challenge to her—she knew she was color-blind for all practical purposes. Still, friends had often complimented her on her “artistic flair.” It required many hours carefully articulating to artists what “her mind’s eye” envisioned, requesting and receiving revisions until the ornament designs were “just right.”
The investor pulled out. Working capital was nearly gone. There was no money for the new line the Vatican had approved.
And so, the Sacred Season Christmas ornaments were born. In January 1997, the new ornaments made their debut at the Atlanta Merchandise Mart’s International Gift Show. Her business plan was structured so that the growth of Sacred Season was enabled by representing other American and European artists. Buyers flocked to her showroom, and she realized sales of nearly $500,000 after just three trade shows. Customers ranged from small gift shops to Marshall Fields and Asprey & Garrard, purveyors to the Queen of England. In 1998, Disney awarded Sacred Season the Rising Star (one of just six such awards that year) at its First Annual Christmas Collectible Convention at EPCOT. Sacred Season ornaments were used as set decorations on several TV shows, and found their way onto the trees of movie stars. Sacred Season was a hit, and the entire business model was working. The future looked golden and full of promise. There were times I slept in my car,
However, on May 15th, she received spectacular news when she was
offered the worldwide Vatican Museum License for ornaments, angels and
Christmas decorations. “I felt like I’d won the lottery. We were jumping up and down, laughing and crying, celebrating our great good fortune. I can still hear my associate Kathy Cox saying to me, ‘See, you’re losing your home, but just look at the window God has opened for you!’” But just four days later, Cannon received a stunning blow. Her angel investor was pulling out—totally disinterested in the Vatican opportunity. He insisted there were faster ways to make bigger returns by investing elsewhere. He could not be swayed. “None of us could believe it. One of my friends thought I must have misunderstood somehow, because the decision made no sense. We were successful. How in the world could this be happening?” The bleak reality was that operating capital was nearly dried up. There was no money to produce the new line for the Vatican or to continue Sacred Season operations. On May 22nd, she left her home for the last time and checked into a seedy motel. “I just sat and cried. Within one week, we had tumbled from an unbelievable high into a shocking loss. There are just no words to describe the disbelief and pain we all felt.” But Mary Margaret had no intention of letting her vision and her dream die, even though her friends, deeply concerned about her situation, were urging her to “give up and get a job.” She tried to find more venture capital, and, of course, she looked for work. “That experience was a huge shock. People told me I was ‘unemployable’ because I had been on my own too long. Or people saw my White House experience—from 20 years ago! —and assumed I would be bored with anything they had to offer. Telling them there was nothing boring about paying one’s bills had no effect. I tried to find secretarial jobs, but was told over and over that I was overqualified. I was also told that entrepreneurs make poor employees.”
Throughout this long ordeal, Cannon explored various other options to re-launch her ornaments, including licensing the ornaments to major corporations. All of the deals offered were very one-sided—in favor of the corporations. She even offered to give the ornament business away to charity, but the offer was turned down, due to the charity’s lack of experience in the field.
Robertson wouldn’t take “no” for an answer. In the spring of 2000, he gave Mary Margaret the money to buy Five O’Clock Club sessions. “I’m making an investment in your future. I believe in you, you’re very talented, but you’re floundering because you need to learn how to target yourself.” “When I arrived at the Five O’Clock Club,” Mary Margaret said, “I was
at the end of my emotional rope. I had been without a home and solid
footing for two years. I’d landed a couple of small consulting jobs, but I
was sure I was never going to find the right niche for myself ever again.
Most of all, I was devastated that I had not succeeded in re-launching the
Sacred Season—because I knew in my heart it would be a
success.” At the Club, I quickly learned that I should stay the course—that I am an entrepreneur. Mary Margaret read the Five O’Clock Club books—and the Seven Stories exercise proved to be a revelation. “It was a light bulb going on for me. I’d spent the better part of those last two years trying to fit myself into categories, depending on what was available. By doing the Seven Stories Exercise I found out what I was really best at, what my real natural talents are—what was going to make my heart sing. And I did it at just the right time. I was contemplating a licensing contract that would have meant, for all practical purposes, abandoning Sacred Season. The Seven Stories helped me realize I should stay the course. I saw that I am an entrepreneur, I am extremely creative, and can take a project from concept to fruition. I can handle crises situations and do very well with them.”
Looking back, Mary Margaret is able to articulate what happened. “I got focused again. I’d really become so scattered and emotional, telling myself that Sacred Season was a lost cause. The confidence I got from a careful evaluation of the facts came at a pivotal moment. The group wasn’t saying to me, ‘Hey, you’re a good guy’—it was saying, ‘This is where you’re strong, don’t give up.’ The group helped me believe in myself again—that I did indeed know my business and this market niche, and that I wasn’t just a cheerleader for myself with no substance.”
With the help of my Five O’Clock Club group, I got focused and figured out the best steps to take.
Mary Margaret traveled to China in the fall of 2000, and saw the rebirth of the Sacred Season ornaments, which brought tears to her eyes. “I’m sure the Chinese artists must have wondered what in the world was wrong with this woman who was so emotional over ornament samples! But I could not believe that it was happening once again—that so many prayers were being answered.” Mary Margaret found new determination and new investors. She traveled to China in the Fall of 2000 and saw the re-birth of Sacred Season.
Mary Margaret doesn’t look back at her two years in the wilderness with bitterness. There were so many people who saw her pain and potential and offered their help. “Gratitude really has to suffuse your life,” she insists. “And the Five O’Clock Club is a blessing—it’s a gift. If anyone comes into the Club and just goes about the program haphazardly, they are brushing off that gift. Some people are sprinters, and others are long distance runners. I’m a long distance runner. God has blessed me greatly with so many wonderful people and opportunities. The Five O’Clock Club is one of those blessings for which I am very grateful.” And now she plays the role with others that Bruce Robertson did with her. “I talk about the Club to anyone I meet who is looking for work, or seeking a different career. There are two guys I see on the train—they’re are out of work. I keep saying to them, ‘Have you called the Five O’Clock Club yet?’” Mary Margaret marvels every day that
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